4/18/2024 0 Comments Clip studio separate colours![]() ![]() ![]() Fixed an issue where scrolling or rotating the canvas would become sluggish after switching to another tool while an object is selected with the Object sub tool.In the text copied with the Version information dialog > Copy Diagnostics, the Settings Path folder was incorrect.Fixed an issue where 3D layers would not be compatible with other versions even when saved in compatibility mode in Clip Studio Paint.In the text copied with the Version information dialog > Copy Diagnostics, text related to the license information has been changed.The following features have been improved. (Windows / macOS / iPad / Galaxy / Android / Chromebook) The Edit Set dialog, which manages auto action sets, can now be resized on non-smartphone devices.The end result is a somewhat subtle colour shift - the new colours are a bit warmer and a little bit more unified.Updates in Version 1.13.2 (released January 31, 2023) Main improvements in Version 1.13.2 Improvements Sarah is sitting in a window, so the light source is likely the sun outside of the window. He uses a circular gradient, and puts the centre at the spot where the light source of the image is. The one that he works with is a yellow-to-green-to-aqua-to-blue gradient. Create a gradient in the new layer (he chooses from a fairly large list of gradients that he’s apparently pre-made).Create a new layer and set the mode to “Soft Light” (or, he later suggests, possibly “Overlay”) and drop the opacity down (he takes it down to 31% in the video).The second technique is one I’d love to hear more about because it was a technique that I’d never seen (do you know any other people who talk about a technique like this?)Īt around 51:00, he does an adjustment to the colours to convey a particular emotion or feel. But Cumbo makes a bunch of selections (not that the “Sarah” figure is on a separate layer than the greenish background) and then does a colour adjustment using Command-U (presumably Control-U on Windoze machines) to bring up an HSB dialog which allows him to lower the brightness of the selected areas. My typical approach to shadows is to create a multiply layer. At around 35:00, Cumbo starts working on shadows for the image he was sketching. The first of the three isn’t really rocket science, but it was different than the technique I usually employ. There are three techniques that Cumbo describes in this video that interest me: He also really pushes the idea of bounce-back lighting in a number of his videos: he says that things really look “in the environment” when you can see the colours of the environment reflecting back on a figure or object in that environment. In a later video, he says that vibrancy is really all about contrast, and that picking colours that contrast well is the key to creating vibrant images. Cumbo was also making a number of videos about different Manga Studio techniques, but he’s gone a bit quiet on that front lately.Ĭumbo’s art really stands out to me because of the vibrancy of colour that he achieves. At about the time that Smith Micro released the video, D.M. Cumbo, who has been working on an illustrated story called Dreamside. The presenter is an artist by the name of D.M. It’s one of a series that Smith Micro Graphics made to raise the profile of Manga Studio (now called Clip Studio Paint and Manga Studio Ex is now called Clip Studio Pro). I think I first encountered this video at least a year ago. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |